In Praise of Music
Identifieur interne : 001B70 ( Main/Exploration ); précédent : 001B69; suivant : 001B71In Praise of Music
Auteurs :Source :
- Music educators journal [ 0027-4321 ] ; 1963-09.
English descriptors
- Teeft :
- Accom, Adequate coverage, Allyn, Altrincham, Approx, Atlantic seaboard, Basic changes, Better music stores, Brief overview, Cheshire, Choral, Choral music, Choral rehearsals, Claude debussy, Content courses, Conversant, County music organiser, Curriculum discussion, Debussy, Discerning instructor, Elkhart, Excellent presentation, Exclumusic, Explanatory notes, Finest musicians demand, Full measure, General music, General structure, Greatest thinkers, Handsome book, Henry purcell, Historical sketch, Indiana praise, Instrumental music, Instrumental nmusic, Introductory section, John sherratt, Literatture, Little reflection, Major emphasis, Major phases, Major shortcoming, Methods book, Music education, Music history, Music methods, Music teaching, Musical terms, Nmusic, Organiser, Orion, Orion press, Other music classes, Other reed, Overview, Particular impetus, Past accom, Past decade, Personal note, Plishments, Present text, Public education, Purcell, Radical alterations, Reed, Reed selmer soloist reeds, Richard lewis, School subjects, Secondary school music, Secondary school pupil, Secondary schools, Sel1er, Selmer, Selmer reeds, Selmer soloist reeds, Sherratt, Shortcoming, Similar publications, Singleton, Sively, Soloist reeds, Special emphasis, Teachina, Text outlines, Thoroughness, Thoughtful discussion, Typographer, Visual delight.
Url:
DOI: 10.2307/3390009
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 000C42
- to stream Istex, to step Curation: 000C42
- to stream Istex, to step Checkpoint: 001B33
- to stream Main, to step Merge: 001C25
- to stream Main, to step Curation: 001B70
Le document en format XML
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<term>Atlantic seaboard</term>
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<term>Discerning instructor</term>
<term>Elkhart</term>
<term>Excellent presentation</term>
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<term>Explanatory notes</term>
<term>Finest musicians demand</term>
<term>Full measure</term>
<term>General music</term>
<term>General structure</term>
<term>Greatest thinkers</term>
<term>Handsome book</term>
<term>Henry purcell</term>
<term>Historical sketch</term>
<term>Indiana praise</term>
<term>Instrumental music</term>
<term>Instrumental nmusic</term>
<term>Introductory section</term>
<term>John sherratt</term>
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<term>Little reflection</term>
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<term>Major shortcoming</term>
<term>Methods book</term>
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<term>Music history</term>
<term>Music methods</term>
<term>Music teaching</term>
<term>Musical terms</term>
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<term>Overview</term>
<term>Particular impetus</term>
<term>Past accom</term>
<term>Past decade</term>
<term>Personal note</term>
<term>Plishments</term>
<term>Present text</term>
<term>Public education</term>
<term>Purcell</term>
<term>Radical alterations</term>
<term>Reed</term>
<term>Reed selmer soloist reeds</term>
<term>Richard lewis</term>
<term>School subjects</term>
<term>Secondary school music</term>
<term>Secondary school pupil</term>
<term>Secondary schools</term>
<term>Sel1er</term>
<term>Selmer</term>
<term>Selmer reeds</term>
<term>Selmer soloist reeds</term>
<term>Sherratt</term>
<term>Shortcoming</term>
<term>Similar publications</term>
<term>Singleton</term>
<term>Sively</term>
<term>Soloist reeds</term>
<term>Special emphasis</term>
<term>Teachina</term>
<term>Text outlines</term>
<term>Thoroughness</term>
<term>Thoughtful discussion</term>
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